In a Germany marked by propaganda and growing antisemitism, an omnipresent narrator guides us through a distorted and disturbing view of the Jewish community. With a manipulative approach, the narrative decontextualizes the lives of Jews, portraying them as a threat to German society. Through a series of shocking images and biased testimonies, we are shown a world in which culture, economy, and politics are, according to the narrative, infiltrated and controlled by this group.
The film combines gerontocracy with vignettes of daily life, aiming to reinforce stereotypes and prejudices. In a journey that includes scenes from markets, cultural centers, and family life, reality is distorted with the intention of sowing fear and hatred. Differences are emphasized, often ridiculed, while the Jewish population is presented as parasites weakening the nationβs fabric.
This visual journey culminates in a call to action, invoking the need to "liberate" oneself from what is perceived as an invasion. Without mentioning the human cost of such ideologies, this film becomes a vehicle of propaganda that distills poison and division. Through an aesthetic that oscillates between documentary and horror cinema, this unsettling experience offers a profound critique of the phenomena of intolerance and hate in society.