In a quiet suburb of Canada, a group of children discovers a peculiar mannequin named Pin in their father's medical office, a doctor obsessed with his work. This mannequin becomes a sort of imaginary friend for siblings Leon and Ursula, who, after the unexpected death of their mother, find themselves engulfed in an atmosphere of growing tension and family madness.
As the years go by, the complex relationship between the siblings and Pin intensifies. Leon, portrayed in a haunting manner, begins to develop an unhealthy connection with the mannequin, viewing it as a figure of authority and comfort in a home filled with dark secrets. Ursula, on the other hand, struggles with her own demons while trying to maintain control of her life and her relationship with her brother, who has become increasingly erratic and possessive.
When Leon becomes trapped in his obsession, the thin line between reality and imagination blurs. The mannequin, which was originally a source of comfort, transforms into an instrument of horror, revealing the fragility of the human mind. The story explores themes of family trauma, madness, and the struggle for identity, taking the audience on a dark journey that culminates in a shocking conclusion. How far can sibling love go when intertwined with obsession? This unsettling journey immerses us in the complexity of human relationships.